Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
Portrait of Frederick I of Werttemberg

ID: 77774

unknow artist Portrait of Frederick I of Werttemberg
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unknow artist Portrait of Frederick I of Werttemberg


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unknow artist

  Related Paintings of unknow artist :. | Sheep 108 | Seascape, boats, ships and warships.90 | poultry 178 | The Prophet Muhammad borne to heaven by the archangel Gabriel | Still life floral, all kinds of reality flowers oil painting 353 |
Related Artists:
Emma Brownlow King
British, 1832-1905
Beaux, Cecilia
Studied under Bouguereau and Tony Robert-Fleury. Specializes in Portraits. American Painter, 1855-1942. American painter. She began her career painting on porcelain and producing lithographs and portrait drawings. She studied with Catharine Ann Drinker (1871), Francis Adolf van der Wielen (1872-3) and Camille Piton (1879), at the Pennsylvania Academy of the Fine Arts in Philadelphia (1877-8), and privately with William Sartain (1881-3). Under Sartain's guidance, she learnt to paint, producing her first major portrait, the Last Days of Infancy
Procaccini, Andrea
Italian, 1671-1734 Italian painter, draughtsman and architect. A pupil of Carlo Maratti, he is first documented in 1702, among the restorers of Raphael's fresco decorations (1511-14) in the Vatican. His Tarquinius and Lucretia (c. 1705; Holkham Hall, Norfolk) has cold colours and unnatural gestures that recall Guido Reni. Appointed by Pope Clement XI, between 1710 and 1717 Procaccini supervised the tapestry factory in S Michele a Ripa: the Purification of the Virgin (Rome, Vatican, Consistory Hall) is the only extant tapestry made from a cartoon (untraced) by Maratti and an oil painting (untraced) by Procaccini. The Baptism of Cornelius Centurion (1711; Urbino, S Francesco) for the Baptism Chapel in St Peter's, Rome, was previously attributed to Maratti or Giuseppe Bartolomeo Chiari, but Procaccini apparently based it on sketches supplied by Maratti, who also supervised and revised the work before it was displayed.






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